Pisa / 27.06—07.07 2024
Thursday 27 June
The Orchestra of the University of Pisa
Stabat Mater
Friday 28 June
Accademia del Piacere
Udite Amanti
Sunday 30 June
Jordi Savall
Oriente-Occidente
Friday 05 July
Auser Musici
Vivaldi Midsummer Night
Saturday 06 July
La Venexiana
Round M
Sunday 07 July
Imaginarium Ensemble
The Sharp Band
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Inaugural concert with one of the most famous pages of the genius of Jesi
La forza meravigliosa della musica nella suggestiva cornice del Camposanto Monumentale
The passion of Love in the disruptive musical energy of one of the most innovative groups of the international Early Music scene
Some of the most beautiful madrigals by Claudio Monteverdi performed at sunset on the pristine beach of Gombo
Love as the most tormented and ancient of affections
Arab-Andalusian, Jewish and Christian cultures meet in this program conceived by Jordi Savall, one of the fathers of the Early Music Renaissance.
Music becomes, by magic, an example of reconciled humanity.
The Ghosts and Seasons of the Red Priest's irrepressible imagination in a rousing succession of voices and instruments
The Ghosts and Seasons of the Red Priest's irrepressible imagination in a rousing succession of voices and instruments
An 18th-century musical postcard in one of Pisa's most precious private hanging gardens
Music by Monteverdi, Strozzi, Marini, Merula Improvisation is the basis of music in every age. A rare and unmissable concert.
A program exploring the national styles of 18th-century Europe.
The four violins of the sharp band grappling with the conflicting passions and disparate moods of Telemann's repertoire
Il Festival di Musica Antica 2024
On an idea of M° Carlo Ipata, since 1996 the Festival has been characterized by concerts that are held in places of great historical and artistic interest in a perfect combination of tourism and culture that aims to make early music known within some pearls of the territory.
Italian ensembles such as La Venexiana, l’Hommé Armée and Odhecaton performed at the Tuscan Early Music Festival, and even more famous foreign ensembles and soloists such as Rolf Lislevand and Dan Laurin (Norway), Villancico (Sweden), The Soloists of Catherine the Great (Russia), The Croatian Baroque Orchestra (Croatia) and many more.
Every year, within the Festival, at least one new production is always dedicated to the unpublished Tuscan repertoire, to whose rediscovery Auser Musici has been dedicating itself with perseverance and passion for over twenty years.
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